after “Molt” by Lotus L. Kang


Glassy-eyed again. Not glossy enough,

lacking grease. Underexposed &

inexperienced, shivering & shearing

off, my photographic body develops


ears first. The organs come from all over.

They are set up for failure. Did I listen

closely enough to the Xerox

machine that photocopied my love?


I left a warning about content but

it’s always out of date. Never caring

in the first place, I roll up another

city. It is winter. The Polaroid


doesn’t get any older. It continues

living the failed life of images.




Photo of sculpture in which Kang employs industrial-sized sheets of photographic film that she has left unfixed, such that they change in response to light and humidity. Likening these sheets to the human body, the artist refers to them as skins and to their ongoing transformation as tanning. Some carry traces of prior exposure in other locations (each indicated in the artwork’s title), while the remainder have not been previously exposed.
Lotus L. Kang. Molt (Toronto-Chicago-Woodridge-New York-Los Angeles). 2022–25 | MoMA